The primary interest of the Collegium “Flauto e voce” is in performing original compositions from the 17th through 20th centuries for one or more voices with a variety of flute instruments. Many of the works, which have been published in the series Flauto e voce by Carus Verlag, have been performed by the Collegium and its founder, Peter Thalheimer with the singers Susan Eitrichand Ute Kreidler for the first time since they were composed.
With “Du angenehme Nachtigall” a fraction of this charming, still undiscovered repertoire is now presented on CD. Through numerous “bird arias and love songs from the baroque”, the listener experiences a musical journey through Germany, France, Italy and England, which includes works by Reinhard Keiser, Jean-Baptiste Lully, Antonio Vivaldi and Henry Purcell.
| Guzinger: | Süße Lippen, holde Wangen |
| Keiser: |
Kleine Vöglein, eure Scherze (Aria from opera Arsinoe, 1710); Du angenehme Nachtigall (Aria from opera
Ulysses, 1722); Ihr fliegenden Sänger (Aria from opera Orpheus, 1709)
Kleine Vöglein, eure Scherze (Aria from opera Arsinoe) Du angenehme Nachtigall (Aria from opera Ulysses) Ihr fliegenden Sänger (Aria from opera Orpheus) |
| Telemann: | Mich tröstet die Hoffnung (Aria form opera Der geduldige Sokrates) |
| Kusser: | Wo bleibst du, mein Leben (Aria from Oper Erindo oder Die unsträfliche Liebe) |
| Lully: | Tout ce que j’attaque se rend (Prélude & Air from opera Le Triomphe de l’Amour) |
| Montéclair: |
Mais, tout parle d’amour (Aria from opéraBallet Les Festes de l’été) Ruisseaux, qui serpentez (Scene from opera Jephté) |
| Torri: | Son rosignolo (Aria from opera Ismene) |
| von Wilderer: | Dormi, Giocasta (Aria from opera Giocasta) |
| Vivaldi: | Cara sorte (Aria from opera La verità in cimento) |
| Hart: | Proceed, sweet charmer of the ear (Aria from Ode to Harmony) |
| Fedeli: | Warbling the birds enjoying (Aria from opera The Temple of Love) |
| Purcell: | Hark! how the songsters (Aria from Masque The History of Timon of Athens) |
Posted by Clive - Fish Fine Music on 13th Mar 2012
In their “Flauto e voce” series, baroque ensemble Collegium have performed many delightful works for the first time since they were composed. This collection takes as its inspiration that oft-hymned songster of the woods, the humble Nightingale. This generously filled CD includes charming, undiscovered repertoire and takes the listener on a musical journey through Germany, France, Italy and England, including works by Keiser, Lully, Vivaldi and Purcell.
The Nightingale is featured both in imitation on the baroque flute but also via some ravishing singing from three magnificent German vocalists. I can't find a sample of this CD so you will have to take my word for the pleasures contained therein. Suffice it to say, the first time we popped it on in the store, three copies walked out the door. A palpable hit!