Alice Coote, one of the most distinctive mezzo-sopranos of today, makes her recital debut on Hyperion with pianist Graham Johnson, a stalwart of the label and tireless explorer of vocal repertoire. The Power of Love creates what Johnson describes as a ‘pageant of English song and poetry’. It’s a journey through half a century of song, surveying not just human love but love of nature and even of money. Some of the most touching pieces here involve the loss of love through death, not least Ivor Gurney’s Lights Out and Gustav Holst’s Betelgeuse. There’s serenity, too, in mellifluous settings by Roger Quilter, while high spirits are supplied by Maude Valérie White’s The Spring has come and Warlock’s sardonic Queen Anne, which includes the immortal lines ‘I am Queen Anne, of whom ’tis said / I’m chiefly fam’d for being dead’.
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Elgar: |
Pleading, Op. 48 No. 1 Speak, Music, Op. 41, No. 2 |
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Gibbs, C A: |
A Song of Shadows Op. 15, No. 3 Hypochondriacus |
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Grainger: |
The Power of Love |
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Gurney: |
Lights out The boat is chafing Goodnight to the meadow |
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Holst: |
Betelgeuse Journey's End |
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Lehmann: |
Pa's bank Love, if you knew the light Ah, moon of my delight |
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Moeran: |
In youth is pleasure |
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Molloy: |
Love's old sweet song |
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Peel: |
The early morning Almond, wild almond |
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Quilter: |
Love's Philosophy, Op. 3 No. 1 (Shelley) Now sleeps the crimson petal, Op. 3 No. 2 (Tennyson) There be none of Beauty's daughters, Op. 24, No. 1 |
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Vaughan Williams: |
Silent Noon |
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Warlock: |
Queen Anne The Night Take, O take those lips away |
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White, M: |
The Spring has come The Devout Lover So we'll go no more a-roving |