Following acclaimed discs exploring some of the more fascinating byways of the Italian eighteenth century, Auser Musici and its founder-director Carlo Ipata turn to the man Beethoven regarded as the finest of his contemporaries, Luigi Cherubini. It’s not difficult to understand why Beethoven was so impressed: this is music full of character and seriousness of intent, from the strong-jawed Sinfonia for the opera Armida abbandonata, written when Cherubini was just twenty-two, to the dark drama of the Overture to Démophon (which unaccountably failed to wow the sniffy Parisian audiences). And there are vocal delights too, showcasing a virtuosity that looks forward to Rossini and sung here with effortless agility by Maria Grazia Schiavo.
Il Giulio Sabino: Sinfonia
Turbata ai dubbi accenti (from Ifigenia)
D'un dolce ardor la face
Démophon: Ouverture
Ti lascio adorato mio ben
Armida abbandonata: Sinfonia
Qual da venti combattuta (from Zelmira)
I mesti affetti miei (from Epponina)
Mesenzio, re d'Etruria: Sinfonia