Jarrett: Rio - Keith Jarrett

Almost exactly forty years ago, Keith Jarrett’s association with ECM began with the recording of a solo piano album. “Facing You” (1971) was soon followed by the initiation of the solo concerts, evenings of piano improvisations, documented now on a range of influential live recordings which include “Solo Concerts (Bremen-Lausanne)”, “The Köln Concert”, “Sun Bear Concerts”, “Concerts (Bregenz-München”), “Dark Intervals”, “Paris Concert”, “Vienna Concert”, “La Scala”, “Radiance”, “The Carnegie Hall Concert” and “Testament, Paris-London”. The span of music addressed on these albums is vast, but they share a common genesis in improvisation, as well as a most remarkable artistic consistency. If it is no longer uncommon for improvisers to fill an evening’s music-making alone, Jarrett remains unrivalled in his capacity to uncover new forms in the moment: the concept of ‘spontaneous composition’ is more than an ideal here.

Latest in the series of ongoing solo concert recordings is “Rio”. Jarrett had played Brazil only once before, more than two decades ago, and said, before his South American concerts, that he felt he had “unfinished business” there: “I really had no idea what I meant, but this concert is it. Everything I played in Rio was improvised, and there is no way that I could have gotten to this particular musical place a second time, or in a different country: not even in a different hall or with a different audience, or on a different night.”