As a tribute to the artistry of Lorraine Hunt Lieberson, this retrospective gathers together many of the finest recordings of arias and duets made during her acclaimed association with harmonia mundi. The booklet notes include tributes from her husband, Peter Lieberson, Nicholas McGegan and her obituary from Le Monde.
Lorraine Hunt - who became Lorraine Hunt Lieberson after her marriage to the American composer Peter Lieberson in 1999 - was born on March 1st 1954, in San Francisco. Her father was a music teacher and a conductor, her mother a contralto and a voice teacher. She played viola professionally until she was 26, when she found that her voice could be a better and richer way to express her musicality and secure her professional future. Lorraine would have a professional singing career of only 2 decades (1984-2006), interrupted twice by illness. She died from cancer on July 3, 2006, aged 52.
For harmonia mundi, Lorraine Hunt Lieberson recorded operas, oratorios and Handel arias, conducted notably by Nicholas McGegan. For Erato, she added the rôles of Rameau’s Phèdre and Charpentier’s Medea, under William Christie. Since her death, other taped live performances have been added to her discography, including two Wigmore Hall Live recitals and Peter Lieberson’s Rilke and Neruda Songs.
In 2009 harmonia mundi issued a recital given at the Ravinia Festival in August 2004 with pianist Peter Serkin. More recently, new label Philharmonia Baroque has issued Lorraine’s live performances of Les Nuits d’Eté and Handel Arias.
A formidable musician, a natural-born actress, she was at her best in roles of sacrificed victims, which didn’t prevent her from displaying a dark sense of humour. After having sung during the same evening Stravinsky’s Jocasta and Britten’s Phaedra, she once said: ‘Two suicides in one night! That’s right up my alley’.
“For those who loved Lorraine and her singing, and for those who have not yet heard her, my gratitude to harmonia mundi.” PETER LIEBERSON (b.1946, d.2011)
|
Bach, J S: |
Bist du bei mir, BWV508 |
|
Handel: |
Qui d'amor (from Ariodante) Scherza, infida (from Ariodante) Dopo notte (from Ariodante) Theodora: Angels, ever bright and fair Theodora, HWV 68: With Darkness deep Theodora, HWV 68: Oh! that I on wings could rise To thee, thou glorious son of worth (from Theodora) with Drew Minter (counter-tenor) Messiah: Rejoice Greatly, O Daughter of Zion Messiah: But who may abide Messiah: He was despised Messiah: I know that my Redeemer liveth Clori, degli occhi miei, HWV 91a Susanna, HWV 66: Bending to the throne of glory Crystal streams in murmurs flowing: Susanna Susanna, HWV 66: Guilt trembling spoke my doom Susanna: If guiltless blood be your intent Qual nave smarrita (from Radamisto) Come to me, soothing sleep (from Ottone) Svegliatevi nel core (from Giulio Cesare) Qual Leon (from Arianna) |
|
Purcell: |
Thy hand, Belinda … When I am laid in earth (from Dido & Aeneas) When I am laid in earth (from Dido and Aeneas) |