Antonio Florio and the ‘Turchini’ capture the constant ambivalence that is to be found in Neapolitan music by combining the approach of the cultivated maestro di cappella (the church) with that of the lively, boisterous improvisations of the commedia dell’ arte (the theatre).
| Caresana: |
Sonata in 8 parts Missa 'exultet orbis gaudiis' |
| Provenzale: |
Pange Lingua Dialogo a cinque voci con violini per la Passione |